Geometric, complex abstractions with line, form and space. Made entirely from offcuts of oak, mahogany, teak or African Iroko with different finishes, sanded by hand, some of his pieces were coated with a fine layer of varnish and others were deliberately left untreated, thus it is hardly to identify the precise type of hardwood. The elegant and magnificent look from every angle, capturing light and shadow. No signed and dated on underside.
In good vintage condition. Some signs of wear consistent with age and use.